Harmony vs discord – how China and the US are distinct

In China the people are family.

In the West, the people are livestock.

-- Why 'livestock' ? Because in an 'individualistic' society (rather than a communal one), the government will be composed of the elite and above the people (employ divide and rule, and keep the people in dreams and poverty).

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Bonus film - with Willene Business & Lifestyle ...

Why China is the future while the West is stuck in (and trying to preserve) the past.

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Bonus film - with Jason / Living in China - the suspended monorail in WuHan ...

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With Jerry's Take on China ...

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With Andy see the World ... *** HuaYan Temple, located in DaTong, ShanXi province, is a magnificent example of Buddhist temple architecture and one of the best-preserved temples from the Liao and Jin dynasties. Its name, "Huayan," is derived from the Huayan Sutra, an important scripture in Chinese Buddhism, reflecting the temple's strong connection to the Huayan school of Buddhist thought. Key Features: Divided Structure: The temple is unique as it is divided into two parts: the Upper Temple and the Lower Temple. The Upper Temple, built on a hill, was primarily used for religious ceremonies, while the Lower Temple served as a residential and study area for monks. Grand Hall: The Great Buddha Hall in the Upper Temple is one of the largest remaining halls of its kind from the Liao dynasty. It features massive wooden beams, intricate carvings, and large Buddha statues that exude a sense of serenity. Murals and Sculptures: The temple is renowned for its well-preserved murals and Buddhist sculptures. These artworks depict scenes from Buddhist scriptures and stories, reflecting the artistic style and religious devotion of the era. Library of Sutras: The Lower Temple houses a library of Buddhist sutras, emphasizing the temple’s role as a center for learning and spiritual practice. Architectural Significance: The wooden structures of Huayan Temple showcase the advanced engineering and architectural techniques of ancient China. The use of dougong brackets (interlocking wooden brackets) is particularly impressive. Cultural Heritage: Huayan Temple is a testament to the flourishing of Buddhism in northern China during the Liao and Jin dynasties. It represents a blend of religious, artistic, and architectural achievements. Atmosphere: Visitors often find the temple serene and spiritually uplifting, with its quiet courtyards, ancient trees, and the scent of incense enhancing the experience. It is not just a historical site but also an active place of worship. Huayan Temple remains a significant cultural and spiritual landmark, drawing visitors and scholars from around the world to explore its beauty and historical importance. *** Shanhua Temple, located in Datong, Shanxi Province, is a stunning example of Chinese Buddhist architecture and history. Originally constructed during the Tang Dynasty, the temple has been preserved and renovated over the centuries, with its current structures mainly dating back to the Liao and Jin Dynasties. The temple complex is composed of three main halls arranged along a north-south axis: the Main Gate Hall, the Mahavira Hall, and the Sansheng Hall. These halls are surrounded by peaceful courtyards, ancient trees, and stone pathways, creating a serene environment for visitors. The Mahavira Hall is the centerpiece of the temple, housing large statues of the Buddha and bodhisattvas. The craftsmanship of these statues reflects the artistic style of the Liao Dynasty, with intricate details and vibrant colors. The Sansheng Hall, dedicated to the Three Saints of Hua-yen Buddhism, also contains exquisite statues and murals that are valuable cultural relics. One of the temple's unique features is its collection of wooden structures, which have survived numerous dynasties and demonstrate the sophisticated construction techniques of ancient Chinese architecture. The intricate carvings, painted beams, and symbolic motifs throughout the temple showcase the skill of artisans from different eras. Visitors to Shanhua Temple can also enjoy the surrounding scenery, as the temple is situated near other historical sites in Datong, such as the Nine-Dragon Wall and the Yungang Grottoes. Its peaceful ambiance and historical significance make it a must-visit destination for those exploring China's rich cultural heritage. *** The HunYuan Confucian Temple, located in Hunyuan County near Datong, Shanxi Province, is an important historical and cultural site dedicated to the teachings of Confucius. Known for its elegant architecture and serene atmosphere, the temple reflects the Confucian emphasis on education, morality, and respect for tradition. Originally built during the Yuan Dynasty, the temple has undergone several renovations and expansions over the centuries, with many of its current structures dating back to the Ming and Qing Dynasties. The layout of the temple follows traditional Confucian principles, with symmetrical courtyards and a central axis leading to the main halls. The temple complex includes several key structures, such as the Dacheng Hall, the Gate of Rites, and the Hall of Confucius’ Tablets. The Dacheng Hall, the centerpiece of the temple, houses a statue of Confucius and tablets honoring his disciples and other influential scholars. Its wooden beams and intricate carvings are a testament to the craftsmanship of ancient Chinese builders. The temple grounds are adorned with ancient cypress trees, stone tablets, and inscriptions that highlight the enduring legacy of Confucianism in Chinese culture. These elements create a tranquil environment for visitors, providing a space for reflection and appreciation of traditional values. Hunyuan Confucian Temple is not only a place of historical significance but also a symbol of the enduring influence of Confucian thought in shaping Chinese society. Its proximity to other attractions in the area, such as the Hanging Temple, makes it an excellent addition to any itinerary for visitors exploring the region. *** The Fahua Temple, located in Datong, Shanxi Province, is a historic Buddhist temple with a serene atmosphere and a rich cultural heritage. Known for its traditional Chinese architecture and intricate details, the temple provides a glimpse into the spiritual and artistic traditions of ancient China. Originally built during the Ming Dynasty, Fahua Temple has undergone renovations over the centuries, preserving its historic charm while maintaining its religious significance. The temple is dedicated to Buddhist teachings and serves as a place of worship, meditation, and cultural reflection. The layout of the temple includes several key structures, such as the main hall, bell tower, and various smaller pavilions. The main hall is adorned with statues of the Buddha and Bodhisattvas, as well as colorful murals that depict scenes from Buddhist scriptures. The bell tower houses an ancient bronze bell that is said to bring blessings and peace to those who hear its chime. The temple grounds are quiet and peaceful, with pathways lined by trees and flowers that enhance the meditative experience. Stone carvings and inscriptions throughout the temple complex reflect the devotion and artistic skills of past generations. Visitors often find the setting conducive to quiet reflection and spiritual exploration. Fahua Temple is an important cultural and religious site in Datong, offering visitors a chance to connect with Buddhist traditions and admire the craftsmanship of Chinese temple architecture. Its tranquil environment makes it a worthwhile stop for those seeking a deeper understanding of the region’s history and spiritual legacy.
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50 traditional Chinese culture arts and crafts
Introduction China's traditional arts and crafts reflect its rich cultural heritage and diverse ethnic backgrounds. These art forms have been passed down through generations, showcasing exquisite craftsmanship and profound cultural significance. Here are the top 50 traditional Chinese arts and crafts, along with their origins and associated ethnicities. 1. Chinese Calligraphy (书法, Shūfǎ) Origin: Han Dynasty Ethnicity: Han Chinese calligraphy is the art of writing Chinese characters with a brush and ink. It is highly regarded for its aesthetic qualities and expressive potential. 2. Chinese Painting (国画, Guóhuà) Origin: Neolithic Period Ethnicity: Han Traditional Chinese painting involves brushwork on paper or silk, depicting landscapes, flowers, birds, and human figures. 3. Cloisonné (景泰蓝, Jǐngtàilán) Origin: Yuan Dynasty Ethnicity: Han Cloisonné is an ancient technique for decorating metalwork objects with enamel, featuring intricate patterns and vibrant colors. 4. Chinese Embroidery (刺绣, Cìxiù) Origin: Zhou Dynasty Ethnicity: Han, Miao, Yi, Zhuang Chinese embroidery is a decorative art that involves stitching intricate patterns onto fabrics using silk or cotton threads. 5. Paper Cutting (剪纸, Jiǎnzhǐ) Origin: Han Dynasty Ethnicity: Han Paper cutting is a folk art where designs are cut into paper, traditionally used for window decorations and festival celebrations. 6. Porcelain (瓷器, Cíqì) Origin: Shang Dynasty Ethnicity: Han Chinese porcelain, known for its delicate beauty and durability, has been highly prized for centuries and is often decorated with intricate designs. 7. Jade Carving (玉雕, Yùdiāo) Origin: Neolithic Period Ethnicity: Han Jade carving is the art of shaping jade into ornaments, figurines, and ritual objects, revered for its beauty and spiritual significance. 8. Chinese Opera Masks (戏曲面具, Xìqǔ Miànjù) Origin: Tang Dynasty Ethnicity: Han Opera masks are used in traditional Chinese theater to represent various characters and their traits through colors and patterns. 9. Silk Weaving (丝织, Sīzhī) Origin: Shang Dynasty Ethnicity: Han Silk weaving is an ancient craft involving the production of silk fabric, known for its smooth texture and luxurious appearance. 10. Chinese Knotting (中国结, Zhōngguó Jié) Origin: Tang and Song Dynasties Ethnicity: Han Chinese knotting is the art of creating decorative knots using a single length of cord, symbolizing good luck and prosperity. 11. Bronze Casting (青铜铸造, Qīngtóng Zhùzào) Origin: Shang Dynasty Ethnicity: Han Bronze casting is an ancient method of creating bronze objects, including vessels, weapons, and ritual items, through mold casting. 12. Batik (蜡染, Làrǎn) Origin: Han Dynasty Ethnicity: Miao, Buyi Batik is a traditional textile art involving wax-resist dyeing, creating intricate patterns on fabric, commonly practiced by the Miao and Buyi people. 13. Lacquerware (漆器, Qīqì) Origin: Neolithic Period Ethnicity: Han Lacquerware involves coating objects with lacquer to create a hard, shiny surface, often decorated with intricate designs and inlays. 14. Bamboo Weaving (竹编, Zhúbiān) Origin: Zhou Dynasty Ethnicity: Han Bamboo weaving is the craft of creating items like baskets, mats, and furniture using bamboo strips, valued for its durability and flexibility. 15. Chinese Puppetry (木偶戏, Mù'ǒuxì) Origin: Han Dynasty Ethnicity: Han Chinese puppetry involves using hand-crafted puppets to perform traditional stories and plays, combining art, music, and storytelling. 16. Thangka Painting (唐卡, Tángkǎ) Origin: 7th Century Ethnicity: Tibetan Thangka painting is a Tibetan Buddhist art form that involves creating religious images on cloth, used for meditation and teaching. 17. Pottery (陶器, Táoqì) Origin: Neolithic Period Ethnicity: Han Pottery is one of the earliest forms of Chinese art, with hand-crafted ceramic vessels used for cooking, storage, and rituals. 18. Chinese Shadow Puppetry (皮影戏, Píyǐngxì) Origin: Han Dynasty Ethnicity: Han Shadow puppetry involves manipulating flat puppets behind a screen to create shadows, telling stories with music and narration. 19. Rattan Weaving (藤编, Téngbiān) Origin: Ancient Times Ethnicity: Dai, Li Rattan weaving is the craft of making furniture, baskets, and other items using rattan, commonly practiced by the Dai and Li ethnic groups. 20. Dough Figurines (面人, Miànrén) Origin: Han Dynasty Ethnicity: Han Dough figurines are traditional folk art made from colored dough, sculpted into various characters, animals, and scenes. 21. Silver Jewelry Making (银饰, Yínshì) Origin: Tang Dynasty Ethnicity: Miao, Yi Silver jewelry making involves crafting intricate silver ornaments, often worn during festivals and ceremonies by the Miao and Yi people. 22. Chinese Seal Carving (篆刻, Zhuànkè) Origin: Zhou Dynasty Ethnicity: Han Seal carving is the art of engraving characters or designs onto stone or wood seals, used for stamping documents and artwork. 23. Tangka Embroidery (唐卡刺绣, Tángkǎ Cìxiù) Origin: 7th Century Ethnicity: Tibetan Tangka embroidery combines traditional embroidery techniques with religious themes, creating elaborate and colorful textile art. 24. Peking Opera Costumes (京剧服装, Jīngjù Fúzhuāng) Origin: Qing Dynasty Ethnicity: Han Peking Opera costumes are elaborate and symbolic garments worn by performers, representing different characters and social statuses. 25. Wooden Fish Carving (木鱼雕刻, Mùyú Diāokè) Origin: Tang Dynasty Ethnicity: Han Wooden fish carving is a traditional craft involving the creation of wooden fish sculptures, often used in Buddhist temples as percussion instruments. 26. Tie-Dye (扎染, Zhārǎn) Origin: Han Dynasty Ethnicity: Bai Tie-dye is a textile art practiced by the Bai people, involving the tying and dyeing of fabric to create intricate patterns and designs. 27. Paper Fans (纸扇, Zhǐshàn) Origin: Han Dynasty Ethnicity: Han Paper fans are traditional hand-held fans made from paper and bamboo, often decorated with calligraphy and paintings. 28. Dragon and Lion Dance (舞龙舞狮, Wǔlóng Wǔshī) Origin: Han Dynasty Ethnicity: Han The dragon and lion dance are traditional Chinese performances involving large, colorful costumes, performed during festivals to bring good luck. 29. Ethnic Costumes (民族服饰, Mínzú Fúshì) Origin: Varies Ethnicity: Various (e.g., Yi, Zhuang, Miao) Ethnic costumes are traditional garments worn by various ethnic groups in China, each with distinct styles, colors, and patterns reflecting their culture. 30. Kesi Weaving (缂丝, Kēsī) Origin: Tang Dynasty Ethnicity: Han Kesi weaving is a highly intricate form of silk tapestry weaving, creating detailed and colorful patterns often used for clothing and artwork. 31. Woodblock Printing (木版画, Mùbǎn Huà) Origin: Tang Dynasty Ethnicity: Han Woodblock printing is a technique for printing text, images, and patterns, involving carving designs into wooden blocks and pressing them onto paper or fabric. 32. Shadow Play (皮影戏, Píyǐngxì) Origin: Han Dynasty Ethnicity: Han Shadow play is a traditional form of storytelling using silhouetted figures manipulated behind a translucent screen, accompanied by music and narration. 33. Chinese Garden Design (中国园林, Zhōngguó Yuánlín) Origin: Han Dynasty Ethnicity: Han Chinese garden design is the art of creating harmonious landscapes that combine natural elements like rocks, water, and plants with architecture and art. 34. Miao Silver Jewelry (苗银, Miáo Yín) Origin: Qing Dynasty Ethnicity: Miao Miao silver jewelry is known for its intricate designs and craftsmanship, often worn during festivals and ceremonies by the Miao people. 35. Chinese Paper Umbrellas (油纸伞, Yóuzhǐ Sǎn) Origin: Han Dynasty Ethnicity: Han Paper umbrellas are traditional umbrellas made from oiled paper and bamboo, used for protection against rain and sun, and as decorative items. 36. Tibetan Thangka Painting (唐卡, Tángkǎ) Origin: 7th Century Ethnicity: Tibetan Tibetan Thangka painting involves creating religious images on cloth, used for meditation and teaching in Tibetan Buddhism. 37. Chinese Shadow Puppetry (皮影戏, Píyǐngxì) Origin: Han Dynasty Ethnicity: Han Shadow puppetry is a traditional form of storytelling using silhouetted figures manipulated behind a translucent screen, accompanied by music and narration. 38. Hunan Embroidery (湘绣, Xiāngxiù) Origin: Han Dynasty Ethnicity: Han Hunan embroidery is a traditional Chinese embroidery style known for its fine craftsmanship and lifelike images, often depicting nature and animals. 39. Guizhou Batik (贵州蜡染, Guìzhōu Làrǎn) Origin: Han Dynasty Ethnicity: Miao, Buyi Guizhou batik is a traditional textile art involving wax-resist dyeing, creating intricate patterns on fabric, commonly practiced by the Miao and Buyi people. 40. Tibetan Rugs (藏毯, Zàngtǎn) Origin: 7th Century Ethnicity: Tibetan Tibetan rugs are hand-woven woolen rugs known for their vibrant colors and intricate designs, used for both practical and decorative purposes. 41. Hanfu Clothing (汉服, Hànfú) Origin: Zhou Dynasty Ethnicity: Han Hanfu is traditional Chinese clothing worn by the Han people, characterized by flowing robes, wide sleeves, and intricate embroidery. 42. Tibetan Singing Bowls (西藏唱盘, Xīzàng Chàngpán) Origin: 8th Century Ethnicity: Tibetan Tibetan singing bowls are metal bowls that produce a resonant sound when struck or rubbed, used in meditation and healing practices. 43. Manchu Embroidery (满绣, Mǎnxiù) Origin: Qing Dynasty Ethnicity: Manchu Manchu embroidery is a traditional embroidery style known for its intricate designs and vibrant colors, often depicting nature and animals. 44. Suzhou Embroidery (苏绣, Sūxiù) Origin: Han Dynasty Ethnicity: Han Suzhou embroidery is a highly detailed and refined embroidery style known for its realistic images and delicate stitching, often depicting landscapes and flowers. 45. Traditional Chinese Musical Instruments (传统乐器, Chuántǒng Yuèqì) Origin: Various Ethnicity: Various Traditional Chinese musical instruments include the guzheng, erhu, pipa, and dizi, each with its own unique sound and playing technique, used in various forms of Chinese music. 46. Tibetan Butter Sculpture (酥油花, Sūyóu Huā) Origin: 7th Century Ethnicity: Tibetan Tibetan butter sculpture is a traditional art form involving the creation of intricate sculptures from colored butter, often used in religious ceremonies. 47. Yi Embroidery (彝绣, Yíxiù) Origin: Ancient Times Ethnicity: Yi Yi embroidery is a traditional embroidery style known for its bold colors and geometric patterns, often depicting nature and cultural symbols. 48. Dong Brocade (侗锦, Dòngjǐn) Origin: Han Dynasty Ethnicity: Dong Dong brocade is a traditional textile art practiced by the Dong people, known for its intricate patterns and vibrant colors, often used for clothing and household items. 49. Zhuang Brocade (壮锦, Zhuàngjǐn) Origin: Han Dynasty Ethnicity: Zhuang Zhuang brocade is a traditional textile art practiced by the Zhuang people, known for its intricate patterns and vibrant colors, often used for clothing and household items. 50. Traditional Chinese Tea Ceremony (茶道, Chá Dào) Origin: Tang Dynasty Ethnicity: Han The traditional Chinese tea ceremony is a cultural activity involving the ceremonial preparation and presentation of tea, reflecting Chinese values of harmony, respect, and tranquility. Conclusion These traditional Chinese arts and crafts offer a glimpse into the country's rich cultural heritage, showcasing the creativity and skill of various ethnic groups. They continue to be celebrated and preserved, contributing to the vibrant cultural tapestry of China.
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