American empire and global propaganda – part 4

A very creative film - don't miss this ...

With Garland Nixon ... Nordstream : The sheep (Germany, 'allies') spends it's whole life scared of wolves only to be eaten by the shepherd (the US).

With Jordan Porter.

Also known as the Spring Festival, the Chinese New Year on the mainland lasts one week. Preparations will already be under way and include a spring clean and adding festive decorations. New Year's Eve and New Year's Day are a time for family reunions, and for many this means travelling home from the city to the countryside. Chinese New Year is celebrated in many countries and China-towns around the World. GōngXǐ FāCái 恭喜发财 ! The first film, 'Coming Together', is from Malaysia - enjoy ... The Spring Festival is about a new year, a new beginning. A time of renewal, and hope and a fresh start, a time of good-will. For example, fireworks, apart from being a joy to all, are to scare away bad spirits. One can see this symbolize the breaking of old habits of thought – a spring clean of the mind. A new year is a new chance for a better life – if you will take it. Keep your eyes open, heart abundant, and strive for a better world. Help others on their journey whenever you can and always share a smile. It may help another, but it will certainly be good for you. As the second film says, it is love that brings us closer to happiness. Above all, the Spring Festival is a time for family. Next 4 films : 1: 'Going Home' ... 2: A touching song about life and friendship (forget the sub-titles, just watch the video). 'Beautiful Snow County is my Home' ... 3: 'Family Portrait' (from Malaysia) - a wry look at family life in the digital age ... 4: 'Don't be tied to the past, but don't tear it up' ... Two 2017 CNY songs from the M Girls (Malaysia). They have released a CNY album every year since 2001 ... 2011 flash-back - CNY fireworks in BeiJing ... Lion Dance in Malaysia (2017) ...

YT comment : "I hope haters could put down their bias for a while, and try to understand how Chinese people value their families, value their communities, their societies, and understand the connection between these traits and the achievement that China has made." With 歪果仁研究协会 YChina / Raz Galor ... Bonus film (fun in GuangZhou) ...

Introduction China's traditional arts and crafts reflect its rich cultural heritage and diverse ethnic backgrounds. These art forms have been passed down through generations, showcasing exquisite craftsmanship and profound cultural significance. Here are the top 50 traditional Chinese arts and crafts, along with their origins and associated ethnicities. 1. Chinese Calligraphy (书法, Shūfǎ) Origin: Han Dynasty Ethnicity: Han Chinese calligraphy is the art of writing Chinese characters with a brush and ink. It is highly regarded for its aesthetic qualities and expressive potential. 2. Chinese Painting (国画, Guóhuà) Origin: Neolithic Period Ethnicity: Han Traditional Chinese painting involves brushwork on paper or silk, depicting landscapes, flowers, birds, and human figures. 3. Cloisonné (景泰蓝, Jǐngtàilán) Origin: Yuan Dynasty Ethnicity: Han Cloisonné is an ancient technique for decorating metalwork objects with enamel, featuring intricate patterns and vibrant colors. 4. Chinese Embroidery (刺绣, Cìxiù) Origin: Zhou Dynasty Ethnicity: Han, Miao, Yi, Zhuang Chinese embroidery is a decorative art that involves stitching intricate patterns onto fabrics using silk or cotton threads. 5. Paper Cutting (剪纸, Jiǎnzhǐ) Origin: Han Dynasty Ethnicity: Han Paper cutting is a folk art where designs are cut into paper, traditionally used for window decorations and festival celebrations. 6. Porcelain (瓷器, Cíqì) Origin: Shang Dynasty Ethnicity: Han Chinese porcelain, known for its delicate beauty and durability, has been highly prized for centuries and is often decorated with intricate designs. 7. Jade Carving (玉雕, Yùdiāo) Origin: Neolithic Period Ethnicity: Han Jade carving is the art of shaping jade into ornaments, figurines, and ritual objects, revered for its beauty and spiritual significance. 8. Chinese Opera Masks (戏曲面具, Xìqǔ Miànjù) Origin: Tang Dynasty Ethnicity: Han Opera masks are used in traditional Chinese theater to represent various characters and their traits through colors and patterns. 9. Silk Weaving (丝织, Sīzhī) Origin: Shang Dynasty Ethnicity: Han Silk weaving is an ancient craft involving the production of silk fabric, known for its smooth texture and luxurious appearance. 10. Chinese Knotting (中国结, Zhōngguó Jié) Origin: Tang and Song Dynasties Ethnicity: Han Chinese knotting is the art of creating decorative knots using a single length of cord, symbolizing good luck and prosperity. 11. Bronze Casting (青铜铸造, Qīngtóng Zhùzào) Origin: Shang Dynasty Ethnicity: Han Bronze casting is an ancient method of creating bronze objects, including vessels, weapons, and ritual items, through mold casting. 12. Batik (蜡染, Làrǎn) Origin: Han Dynasty Ethnicity: Miao, Buyi Batik is a traditional textile art involving wax-resist dyeing, creating intricate patterns on fabric, commonly practiced by the Miao and Buyi people. 13. Lacquerware (漆器, Qīqì) Origin: Neolithic Period Ethnicity: Han Lacquerware involves coating objects with lacquer to create a hard, shiny surface, often decorated with intricate designs and inlays. 14. Bamboo Weaving (竹编, Zhúbiān) Origin: Zhou Dynasty Ethnicity: Han Bamboo weaving is the craft of creating items like baskets, mats, and furniture using bamboo strips, valued for its durability and flexibility. 15. Chinese Puppetry (木偶戏, Mù'ǒuxì) Origin: Han Dynasty Ethnicity: Han Chinese puppetry involves using hand-crafted puppets to perform traditional stories and plays, combining art, music, and storytelling. 16. Thangka Painting (唐卡, Tángkǎ) Origin: 7th Century Ethnicity: Tibetan Thangka painting is a Tibetan Buddhist art form that involves creating religious images on cloth, used for meditation and teaching. 17. Pottery (陶器, Táoqì) Origin: Neolithic Period Ethnicity: Han Pottery is one of the earliest forms of Chinese art, with hand-crafted ceramic vessels used for cooking, storage, and rituals. 18. Chinese Shadow Puppetry (皮影戏, Píyǐngxì) Origin: Han Dynasty Ethnicity: Han Shadow puppetry involves manipulating flat puppets behind a screen to create shadows, telling stories with music and narration. 19. Rattan Weaving (藤编, Téngbiān) Origin: Ancient Times Ethnicity: Dai, Li Rattan weaving is the craft of making furniture, baskets, and other items using rattan, commonly practiced by the Dai and Li ethnic groups. 20. Dough Figurines (面人, Miànrén) Origin: Han Dynasty Ethnicity: Han Dough figurines are traditional folk art made from colored dough, sculpted into various characters, animals, and scenes. 21. Silver Jewelry Making (银饰, Yínshì) Origin: Tang Dynasty Ethnicity: Miao, Yi Silver jewelry making involves crafting intricate silver ornaments, often worn during festivals and ceremonies by the Miao and Yi people. 22. Chinese Seal Carving (篆刻, Zhuànkè) Origin: Zhou Dynasty Ethnicity: Han Seal carving is the art of engraving characters or designs onto stone or wood seals, used for stamping documents and artwork. 23. Tangka Embroidery (唐卡刺绣, Tángkǎ Cìxiù) Origin: 7th Century Ethnicity: Tibetan Tangka embroidery combines traditional embroidery techniques with religious themes, creating elaborate and colorful textile art. 24. Peking Opera Costumes (京剧服装, Jīngjù Fúzhuāng) Origin: Qing Dynasty Ethnicity: Han Peking Opera costumes are elaborate and symbolic garments worn by performers, representing different characters and social statuses. 25. Wooden Fish Carving (木鱼雕刻, Mùyú Diāokè) Origin: Tang Dynasty Ethnicity: Han Wooden fish carving is a traditional craft involving the creation of wooden fish sculptures, often used in Buddhist temples as percussion instruments. 26. Tie-Dye (扎染, Zhārǎn) Origin: Han Dynasty Ethnicity: Bai Tie-dye is a textile art practiced by the Bai people, involving the tying and dyeing of fabric to create intricate patterns and designs. 27. Paper Fans (纸扇, Zhǐshàn) Origin: Han Dynasty Ethnicity: Han Paper fans are traditional hand-held fans made from paper and bamboo, often decorated with calligraphy and paintings. 28. Dragon and Lion Dance (舞龙舞狮, Wǔlóng Wǔshī) Origin: Han Dynasty Ethnicity: Han The dragon and lion dance are traditional Chinese performances involving large, colorful costumes, performed during festivals to bring good luck. 29. Ethnic Costumes (民族服饰, Mínzú Fúshì) Origin: Varies Ethnicity: Various (e.g., Yi, Zhuang, Miao) Ethnic costumes are traditional garments worn by various ethnic groups in China, each with distinct styles, colors, and patterns reflecting their culture. 30. Kesi Weaving (缂丝, Kēsī) Origin: Tang Dynasty Ethnicity: Han Kesi weaving is a highly intricate form of silk tapestry weaving, creating detailed and colorful patterns often used for clothing and artwork. 31. Woodblock Printing (木版画, Mùbǎn Huà) Origin: Tang Dynasty Ethnicity: Han Woodblock printing is a technique for printing text, images, and patterns, involving carving designs into wooden blocks and pressing them onto paper or fabric. 32. Shadow Play (皮影戏, Píyǐngxì) Origin: Han Dynasty Ethnicity: Han Shadow play is a traditional form of storytelling using silhouetted figures manipulated behind a translucent screen, accompanied by music and narration. 33. Chinese Garden Design (中国园林, Zhōngguó Yuánlín) Origin: Han Dynasty Ethnicity: Han Chinese garden design is the art of creating harmonious landscapes that combine natural elements like rocks, water, and plants with architecture and art. 34. Miao Silver Jewelry (苗银, Miáo Yín) Origin: Qing Dynasty Ethnicity: Miao Miao silver jewelry is known for its intricate designs and craftsmanship, often worn during festivals and ceremonies by the Miao people. 35. Chinese Paper Umbrellas (油纸伞, Yóuzhǐ Sǎn) Origin: Han Dynasty Ethnicity: Han Paper umbrellas are traditional umbrellas made from oiled paper and bamboo, used for protection against rain and sun, and as decorative items. 36. Tibetan Thangka Painting (唐卡, Tángkǎ) Origin: 7th Century Ethnicity: Tibetan Tibetan Thangka painting involves creating religious images on cloth, used for meditation and teaching in Tibetan Buddhism. 37. Chinese Shadow Puppetry (皮影戏, Píyǐngxì) Origin: Han Dynasty Ethnicity: Han Shadow puppetry is a traditional form of storytelling using silhouetted figures manipulated behind a translucent screen, accompanied by music and narration. 38. Hunan Embroidery (湘绣, Xiāngxiù) Origin: Han Dynasty Ethnicity: Han Hunan embroidery is a traditional Chinese embroidery style known for its fine craftsmanship and lifelike images, often depicting nature and animals. 39. Guizhou Batik (贵州蜡染, Guìzhōu Làrǎn) Origin: Han Dynasty Ethnicity: Miao, Buyi Guizhou batik is a traditional textile art involving wax-resist dyeing, creating intricate patterns on fabric, commonly practiced by the Miao and Buyi people. 40. Tibetan Rugs (藏毯, Zàngtǎn) Origin: 7th Century Ethnicity: Tibetan Tibetan rugs are hand-woven woolen rugs known for their vibrant colors and intricate designs, used for both practical and decorative purposes. 41. Hanfu Clothing (汉服, Hànfú) Origin: Zhou Dynasty Ethnicity: Han Hanfu is traditional Chinese clothing worn by the Han people, characterized by flowing robes, wide sleeves, and intricate embroidery. 42. Tibetan Singing Bowls (西藏唱盘, Xīzàng Chàngpán) Origin: 8th Century Ethnicity: Tibetan Tibetan singing bowls are metal bowls that produce a resonant sound when struck or rubbed, used in meditation and healing practices. 43. Manchu Embroidery (满绣, Mǎnxiù) Origin: Qing Dynasty Ethnicity: Manchu Manchu embroidery is a traditional embroidery style known for its intricate designs and vibrant colors, often depicting nature and animals. 44. Suzhou Embroidery (苏绣, Sūxiù) Origin: Han Dynasty Ethnicity: Han Suzhou embroidery is a highly detailed and refined embroidery style known for its realistic images and delicate stitching, often depicting landscapes and flowers. 45. Traditional Chinese Musical Instruments (传统乐器, Chuántǒng Yuèqì) Origin: Various Ethnicity: Various Traditional Chinese musical instruments include the guzheng, erhu, pipa, and dizi, each with its own unique sound and playing technique, used in various forms of Chinese music. 46. Tibetan Butter Sculpture (酥油花, Sūyóu Huā) Origin: 7th Century Ethnicity: Tibetan Tibetan butter sculpture is a traditional art form involving the creation of intricate sculptures from colored butter, often used in religious ceremonies. 47. Yi Embroidery (彝绣, Yíxiù) Origin: Ancient Times Ethnicity: Yi Yi embroidery is a traditional embroidery style known for its bold colors and geometric patterns, often depicting nature and cultural symbols. 48. Dong Brocade (侗锦, Dòngjǐn) Origin: Han Dynasty Ethnicity: Dong Dong brocade is a traditional textile art practiced by the Dong people, known for its intricate patterns and vibrant colors, often used for clothing and household items. 49. Zhuang Brocade (壮锦, Zhuàngjǐn) Origin: Han Dynasty Ethnicity: Zhuang Zhuang brocade is a traditional textile art practiced by the Zhuang people, known for its intricate patterns and vibrant colors, often used for clothing and household items. 50. Traditional Chinese Tea Ceremony (茶道, Chá Dào) Origin: Tang Dynasty Ethnicity: Han The traditional Chinese tea ceremony is a cultural activity involving the ceremonial preparation and presentation of tea, reflecting Chinese values of harmony, respect, and tranquility. Conclusion These traditional Chinese arts and crafts offer a glimpse into the country's rich cultural heritage, showcasing the creativity and skill of various ethnic groups. They continue to be celebrated and preserved, contributing to the vibrant cultural tapestry of China.

A documentary series by RT. Text by RT. The Ancient Silk Road was a trade route that began in China in the 2nd century BC and, for more than 1700 years, linked Europe and Asia. As well as goods, it facilitated a cultural exchange between the continents, knowledge, religion, art, philosophy and tradition all passed back and forth between distant nations. Modern China now has the strongest economy in Asia and is a major world power. This series examines the enduring influence of the Silk Road in making the nation what it is today and how its legacy still thrives in China. PART ONE From the 2nd century BC onwards, the great Silk Road was a vital trade route that provided a link between Eurasian countries. It began during China’s Han dynasty and eventually stretched all the way to Rome. Throughout its 17 centuries of existence, it played a crucial role in enabling cultural interaction between nations and peoples all over the continents. As well as establishing economic ties, it also facilitated the exchange between countries of knowledge, religious practice, architectural styles, art, philosophy and traditions. Modern Chinese culture has been heavily influenced by centuries of trade with neighbouring countries. Today, there are still sites in China that preserve the history of the Silk Road and the country’s role in it. Tang West Market Museum in the city of Xi'an marks the ancient starting point of the Silk Road and displays relics unearthed from what used to be a major centre for international trade. The Silk Route Museum in the city of Jiuquan celebrates the first ever customs checkpoint in history. This city served as an outpost on China’s border with unforgiving and perilous nomadic lands. Meanwhile, a network of grottos called the Mogao Caves bears witness to Buddhism arriving and thriving in China. Today, China remains true to the well-established tradition of cultural exchange with its neighbours. 2016-2017 are dedicated to furthering Russo-Chinese relations and bilateral media ties. The history of collaboration between the two countries dates back as far as 400 years, when religious missionaries crossed the borders to introduce the other side to their homeland’s rich cultural practices. PART TWO China is developing a unique blend of socialism and capitalism. The state-owned sector dominates but there has been a sudden surge in privately owned businesses operating in a new market economy. The two systems coexist in apparent harmony despite the seemingly contradictory ideologies of capitalism and communism. Private businesses began to appear after the country’s economic reforms of the late 1970s, ushered in by then premier, Deng Xiaoping. The emergence of private entrepreneurship led to rapid economic development for China. The country is still among the world’s fastest growing economies and is often the first to tap into new markets. To further expand its regional economic influence, China has launched a programme to revive the famous old Silk Road. They are confident that the route will develop new international markets and forge new business alliances. The multifaceted programme involves improving road infrastructure and modernising key cities along the ancient Silk trading route. They are also creating more favourable conditions for business with incentives like company tax breaks and duty-free towns near the borders with neighbouring countries. The project has been dubbed the ‘One Belt, One Road initiative’, and involves cooperation with more than 60, mostly neighbouring countries, with Russia among the major partners. RTD examines examples of Sino-Russian cooperation carried out under the ‘One Belt, One Road’ umbrella, including large-scale government projects and private trade deals with Russian customers. PART THREE - The Ancient Silk Road was a major trade route that linked Europe and Asia between the 2nd century BC and the late 16th AD. - Modern China is a rapidly growing economy. “One Belt, One Road” is an initiative to revive the Silk Road to help the country play a bigger role in global affairs. - Ancient towns that were once key outposts on the Silk Road are undergoing rapid growth both economically and in infrastructure as they are to reprise their roles as major trading waypoints along the route - Citizens now enjoy new business opportunities and contribute further to developing their cities In its heyday, the ancient Silk Road was Eurasia’s most important trade route, connecting two rich continents to facilitate trade and cultural exchange. Modern-day China has seen near constant economic growth. It boasts of several record figures, including the highest number of skyscrapers and the longest railroads. Five years ago, the government announced a new plan, “One Belt, One Road”, an initiative to revive the Silk Road. The strategy seeks to help China play a bigger role in global affairs through developing an infrastructure that will unite the countries of the two continents under a cohesive economic area. Many ancient Chinese cities that were once outposts along the Silk Road, desert oases or transport hubs are now rapidly transforming themselves into megacities, so that they can, once again, service and profit from the trade route. New businesses are opening, facilitated by the development of a reliable transport system, which in turn brings greater tourist flow. Some cities are also grated the status of special economic area, offering attractive tax incentives to foreign investors. We visit two very different cities; Lanchjou and Urumchi, united by the Silk Road’s history. Both are experiencing rapid development. We meet businessmen who tell us how it feels to watch their home towns transform into economically and politically significant conurbations and how it inspires them to aim for international markets and seek new outlets for their businesses to grow.

The contrast with the West, that has no ambition and is merely focused on retaining its empires, is stark. With Lee Barrett in GuangZhou ...