Something different – on humans and the pale blue dot (Earth)

DunHuang is situated in a rich oasis within the Gobi Desert that includes Crescent Lake. DunHuang held a strategic position at the crossroads of the ancient Southern Silk Route and the main road leading from India via Lhasa to Mongolia and Southern Siberia, as well as the entrance to the narrow HeXi Corridor, which led straight to the heart of the northern China plains and the ancient capitals of Chang'An (known today as Xi'An) and LuoYang. The Gobi Desert is a 'rain shadow desert', formed by the Himalayan mountain range blocking rain-carrying clouds from the Indian Ocean.

Near SiMaTai Great Wall ... SiMaTai Great Wall night walk ...

The Three Gorges 三峡 section of the YangTze River (YangZi in modern PinYin; also known as Chang Jiang - Long River) 长江.

'Mind control' is nothing more than controlling people by controlling what they 'know'. Intelligence services control the mass media. Official 'truth' - with The Moderate Rebels ... At BeiJingBuzzz, truth is sacred. Actual truth, not official 'truth'.

With Cyrus Janssen ... Comment by Gustavo Andrés ... There is an overwhelming assumption in the West that China’s Achilles heel is the state: that it lacks legitimacy. This is the underlying reason why Westerners believe that China’s transformation is unsustainable: that the political system cannot survive. It would be wrong to suggest that attitudes have not shifted: the endurance of the reform period, now over 35 years old, and the scale of its achievement have bred a growing if still grudging respect, and a less apocalyptic view of Chinese political change. Few now regard it to be imminent and many have extended their time horizons somewhat into the future. Nevertheless, most Westerners still regard China’s present political order as lacking legitimacy and as ultimately unsustainable. In the post 1945 period, Westerners have come to believe that Western-style democracy – essentially universal suffrage and a multi-party system – is more or less the sole source of a government’s legitimacy. This is a superficial and ahistorical position. Western-style democracy does not ensure the legitimacy of a regime in the eyes of its people: Italy is perhaps the classic example, with successive governments over a long historical period experiencing a chronic lack of legitimacy. And what of China? Although it does not have Western-style democracy, there is plenty of evidence – for example the Pew Global Attitude surveys and the work of Tony Saich at the Harvard Kennedy School – that the Chinese government enjoys high levels of support and legitimacy, much higher indeed than those of Western governments. How do we explain this? Clearly the reason is not Western-style democracy because China has not chosen this path. The late Lucian W. Pye, in his book ‘Asian Power and Politics’, argues that Western scholars have, in their understanding of politics, prioritised political systems over political cultures: Pye argues, correctly in my view, that the opposite is the case. His insight is highly relevant to the Chinese case. The relationship between the state and society in China is very different from that which characterises Western societies. There are three key elements. First, China is primarily a civilization-state rather than a nation-state, with the overriding and extremely difficult age-old task of government being to maintain the unity of China and its civilization. This has lent the state an enduring authority, importance and centrality in China that is very different from the Western nation-state tradition. The state is intrinsic to China in a way that this is not true in Western societies: they are, in effect, in large degree synonymous. Furthermore the Chinese regard the state in some degree as an expression and extension of themselves. Second, whereas in Western societies the state is seen in an instrumentalist and utilitarian way – in other words, what will it do for me? – in China, following from the Confucian tradition and the idea that the Emperor should model himself on the father’s role as the head of the family, the state is perceived in a familial way, whence the expression ‘nation-family’, or the idea of China as an extended family. Or, to put it another way, in Western societies the state is viewed as an external and somewhat artificial construct, for the Chinese it is an intimate. Third, a much higher premium is placed on the efficiency and efficacy of the state than in the West, whence the importance of meritocracy in the recruitment of public servants. In the West, discussion about the state largely revolves around the manner by which the government is selected, in China, by way of contrast, the competence of the state assumes priority. Fourthly, following from the previous point, the state is expected and required to deliver in China. Over the last few decades, of course, it has presided over and masterminded a huge transformation, the most remarkable in modern economic history. The contrast between the performance of the Chinese and Western economies is manifest. In summary, the relationship between the state and society in China and the West is profoundly different and the reasons lie in the historical and cultural differences between them. They can and should learn from each other but they will remain distinct. So what of the future? As I mentioned at the outset, it is axiomatic in the West that sooner or later China will face a crisis of governance that will result in profound reform along Western lines. In reality, it seems far more likely that the crisis of governance will occur in the West than China. The United States and Europe are in decline and, as a consequence, their ruling elites and political systems are already suffering from declining legitimacy and authority, a process that is likely to continue. China, in contrast, is a rising power whose ruling elite is likely to enjoy growing status and prestige as a consequence. China, though, faces its own kind of governance challenge. The country is changing at extraordinary speed. If one thinks of how the life of an ordinary person has changed over the course of the last three decades, then this is a measure of how everything else, including political rule, must also change in order to survive. Of course, transparency, representivity and accountability have been transformed since Mao’s death, but this is a dynamic process and arguably the greatest changes still lie in the future. It is not that China needs to or should change its system – it has stood the test of time and managed to stay abreast of and lead the wider transformations – but, this notwithstanding, more profound ways must be found to modernise the political system and its institutions if they are to meet the demands and expectations of a very different society.

The Putuo ZongCheng Temple in ChengDe, HeBei province, is a Qing dynasty Buddhist temple. The complex was constructed between 1767 and 1771 during the reign of emperor QianLong (1735–1796). It is located just north of the ChengDe Mountain Resort. Along with the equally famed Puning Temple, it is one of the Eight Outer Temples of ChengDe (a UNESCO World Heritage Site). The temple was modeled after the Potala Palace in Tibet. The temple complex covers a surface area of some 220,000 square meters, making it one of the largest in China. The Mountain Resort in ChengDe 避暑山庄 (BìShǔ ShānZhuāng literally means "Mountain Villa for Avoiding the Heat") was an imperial get-away. Built between 1703 and 1792 during the Qing dynasty, the vast Mountain Resort covers a total area of 5.6 square kilometers (2.2 square miles) and is surrounded by a mini 'Great Wall', which one can walk. It contains a variety of gardens, pagodas, temples and palaces representing the styles from various regions of China.

Part of WuLingYuan National Park and Nature Reserve, Hunan province Bonus film - Tim and Glo in ShangHai ...

With Richard Turrin ...

The delightful China Central TV concert of 2013 ... * Children of the Dragon (HOU Dejian, 侯德健), performed by Green QIU (QIU Wutong, 邱梧桐, 10 years old), Xiaolong (小龙, 11 years old), and JIN Zhuofan (金卓凡, 12 years old), all from China. * Memory (musical Cats, Andrew Loyd Webber), performed by Jessie Hillel (11 years old) from New Zealand. * You Raise Me Up, performed by LI Zewei (李泽维, 11 years old), ZHONG Chenle (钟辰乐, 11 years old), and LIU Bo (柳博, 10 years old), all from China. * Turkish March (土耳其进行曲), by Wolfgang Amadeus Mozart (莫扎特), performed by ZOU Yufei (邹宇飞, 4 years old), WANG Liya (王丽雅, 11 years old), ZHU Zihe (朱梓赫, 8 years old), and YE Zifan (叶子凡, 12 years old), all from China. * He is a Pirate, performed by CHEN Qingli (陈庆丽) from Hong Kong, China. * I can fly, performed by Teressa from the U.S. (5 years old). Teressa is of Chinese and American heritage. * Baby, performed by NIE Jieming (聂杰铭, English name: James Robert Nicol, 11 years old) from Australia. * Spicy Girl, performed by Tianyuan (Chinese name:恬源, English name: Tyerra, 8 years old) from the U.S. Tianyuan is of Chinese and American heritage. * Kalinka, performed by Russian children from Russian Embassy School in Beijing, and Xiao Ding Dang Childrens Choir of the Russian Culture Center in Beijing. * Love to Flowers and Earth Song, performed by Fairies in Rain Forest (Chinese name:雨林精灵, Pinyin: Yu Lin Jing Ling). Fairies in Rain Forest is formed by two sisters: Linda LEE (李林妲, LI Linda) and Wanda LEE (李宛妲, LI Wanda) of Chinese and German heritage. Their fater, Josef Margraf, is a German ecologist. Love to Flowers is a folk song of ethnic Hani Chinese, sung in the Hani language. Earth Song by Michael Jackson. * I Just Can't Wait to be King (from The Lion King), performed by the Popcorn Band (Chinese name: 爆米花乐团) from China and Chelsey Mark (Chinese name: 麦小龙, Pinyin: MAI Xiaolong) from Canada; Chelsey Mark is a well-known host of CCTV. * You'll Be in My Heart (Phil Collins), performed by Ming-An Fasquelle (11 years old, French-American, born in France, raised in Beijing). * I Have a Dream (Abba), performed by WANG Xinyi (王馨怡, 10 years old) from China. * ABC (Jackson 5) performed by SH' Boss Boys from the U.S. * We Will Rock You (Brian May / Queen), performed by Xiaolong (小龙), Huolong (火龙), LI Shuxi (李淑昕), ZHENG Xiao (郑宵), Tianyuan (恬源), 奥斯卡 (Oscar), 成宇朵儿 (CHENGYU Duo-Er), Popcorn Band (爆米花乐队), Zaizai (仔仔), and Kent Niepert (Xiaolong's dad).

A lovely film. Includes bamboo rafting on the Li River, hot-air ballooning, cycling through the countryside, hiking at the LongSheng rice terraces and the evening show Impressions of YangShuo, set on the water.

Buddha Said | Great Compassion Mantra | Sweep of our minds | Heart Sutra | Zen Charm | Prayer for the earthquake in Ya'An (2013). Enter the chill out zone ...