The city of ShenZhen 深圳 : some scenes

The Ming Tombs are a collection of mausoleums built by emperors of the Ming dynasty. They lie within the ChangPing District of BeiJing Municipality, 40 kilometers (25 miles) north-northwest of Beijing city center. The site was chosen based on the principles of Feng Shui by the third Ming emperor, YongLe. Construction began after completion of the Imperial Palace (Forbidden City) in 1420. Subsequent emperors placed their tombs in the same valley; 13 in total. The siting of the Ming dynasty imperial tombs was carefully chosen according to Feng Shui principles. A key guide is that bad spirits and cold winds from the north must be deflected; therefore, an arc-shaped valley area at the foot of the JunDu Mountains was selected. This 40 square kilometer area, enclosed by mountains in a pristine, quiet valley with dark earth and tranquil water became the necropolis of the Ming dynasty. A 7 kilometer (4 mile) path named the Spirit Way, or Sacred Way, leads into the complex, lined with statues of guardian animals and officials, with a front memorial gate consisting of three arches called the Great Red Gate; constructed in 1540, it is one of the biggest stone archways in China. Further in, lies the ShenGong ShengDe Stele Pavilion with a 50 tonne stone statue of BiXi carrying a memorial tablet. Four white marble HuaBiao (pillars of glory) are positioned at each corner of the pavilion; at the top of each is a mythical beast. Then come two pillars on each side of the path, whose surfaces are carved with a cloud design, and tops are shaped like a cylinder; these are of a traditional design and were originally beacons to guide the soul of the deceased, The path leads to 18 pairs of stone statues of mythical animals, which are all sculpted from single blocks; these are all larger than life size. After, the path leads to a three-arched gate known as the Dragon and Phoenix Gate. Two of the mausoleums are open to visitors, but it is the beauty of the valley, with orchards, and the sheer scale of the area used for the tombs, that make this a nice day out in the countryside.

With Cyrus Janssen ... Comment by Gustavo Andrés ... There is an overwhelming assumption in the West that China’s Achilles heel is the state: that it lacks legitimacy. This is the underlying reason why Westerners believe that China’s transformation is unsustainable: that the political system cannot survive. It would be wrong to suggest that attitudes have not shifted: the endurance of the reform period, now over 35 years old, and the scale of its achievement have bred a growing if still grudging respect, and a less apocalyptic view of Chinese political change. Few now regard it to be imminent and many have extended their time horizons somewhat into the future. Nevertheless, most Westerners still regard China’s present political order as lacking legitimacy and as ultimately unsustainable. In the post 1945 period, Westerners have come to believe that Western-style democracy – essentially universal suffrage and a multi-party system – is more or less the sole source of a government’s legitimacy. This is a superficial and ahistorical position. Western-style democracy does not ensure the legitimacy of a regime in the eyes of its people: Italy is perhaps the classic example, with successive governments over a long historical period experiencing a chronic lack of legitimacy. And what of China? Although it does not have Western-style democracy, there is plenty of evidence – for example the Pew Global Attitude surveys and the work of Tony Saich at the Harvard Kennedy School – that the Chinese government enjoys high levels of support and legitimacy, much higher indeed than those of Western governments. How do we explain this? Clearly the reason is not Western-style democracy because China has not chosen this path. The late Lucian W. Pye, in his book ‘Asian Power and Politics’, argues that Western scholars have, in their understanding of politics, prioritised political systems over political cultures: Pye argues, correctly in my view, that the opposite is the case. His insight is highly relevant to the Chinese case. The relationship between the state and society in China is very different from that which characterises Western societies. There are three key elements. First, China is primarily a civilization-state rather than a nation-state, with the overriding and extremely difficult age-old task of government being to maintain the unity of China and its civilization. This has lent the state an enduring authority, importance and centrality in China that is very different from the Western nation-state tradition. The state is intrinsic to China in a way that this is not true in Western societies: they are, in effect, in large degree synonymous. Furthermore the Chinese regard the state in some degree as an expression and extension of themselves. Second, whereas in Western societies the state is seen in an instrumentalist and utilitarian way – in other words, what will it do for me? – in China, following from the Confucian tradition and the idea that the Emperor should model himself on the father’s role as the head of the family, the state is perceived in a familial way, whence the expression ‘nation-family’, or the idea of China as an extended family. Or, to put it another way, in Western societies the state is viewed as an external and somewhat artificial construct, for the Chinese it is an intimate. Third, a much higher premium is placed on the efficiency and efficacy of the state than in the West, whence the importance of meritocracy in the recruitment of public servants. In the West, discussion about the state largely revolves around the manner by which the government is selected, in China, by way of contrast, the competence of the state assumes priority. Fourthly, following from the previous point, the state is expected and required to deliver in China. Over the last few decades, of course, it has presided over and masterminded a huge transformation, the most remarkable in modern economic history. The contrast between the performance of the Chinese and Western economies is manifest. In summary, the relationship between the state and society in China and the West is profoundly different and the reasons lie in the historical and cultural differences between them. They can and should learn from each other but they will remain distinct. So what of the future? As I mentioned at the outset, it is axiomatic in the West that sooner or later China will face a crisis of governance that will result in profound reform along Western lines. In reality, it seems far more likely that the crisis of governance will occur in the West than China. The United States and Europe are in decline and, as a consequence, their ruling elites and political systems are already suffering from declining legitimacy and authority, a process that is likely to continue. China, in contrast, is a rising power whose ruling elite is likely to enjoy growing status and prestige as a consequence. China, though, faces its own kind of governance challenge. The country is changing at extraordinary speed. If one thinks of how the life of an ordinary person has changed over the course of the last three decades, then this is a measure of how everything else, including political rule, must also change in order to survive. Of course, transparency, representivity and accountability have been transformed since Mao’s death, but this is a dynamic process and arguably the greatest changes still lie in the future. It is not that China needs to or should change its system – it has stood the test of time and managed to stay abreast of and lead the wider transformations – but, this notwithstanding, more profound ways must be found to modernise the political system and its institutions if they are to meet the demands and expectations of a very different society.

The DaMing Palace (DaMing Gong, Palace of Great Brilliance) was the imperial palace complex of the Tang Dynasty, located in its capital Chang'An. It served as the royal residence of the Tang emperors for more than 220 years. Today, the DaMing Palace site is designated a National Heritage Site of China, located a little north east of present-day Xi'An city center, ShaanXi province, central China. One can take subway line 2 to DaMingGongXi (DaMing Palace West) station. The palace complex was destroyed at the end of the Tang dynasty. The ruins were only discovered in the 1950s and some parts have now been reconstructed following careful archaeological analysis of the site. The reconstructions, museum and grounds opened to visitors in 2010. A beautiful film ...

Prepare your Di San Xian 地三鮮 (stir fried potato, aubergine and green pepper) and / or MaPo DoFu 麻婆豆腐 (DoFu with minced pork in a SiChuan style spicy sauce) then sit back and enjoy our music selection ...

The peaceful YùLóng Hé between YangShuo and GuiLin, GuangXi province, south China ...

Part 1 : BeiHai Park, the Beijing Botanical Garden, the Confucius Temple, Ditan Park, the Minorities Ethnic Culture Park (Minzu), the Forbidden City, the Great Wall (at Badaling), JingShan Park, ZhongShan Park Part 2 : the Temple of Heaven, Tian'AnMen Square, QianMen, the Birds Nest national stadium, QianHai, PanJiaYuan, LiuYin Park, QingNianHu Park, RiTan Park, LianHuaChi Park, LongTan Park, NanLuoGuXiang and the Beijing Botanical Garden Part 3 : the Summer Palace, YuanMingYuan, XiangShan Park, TuanJieHu Park, XuanWu Park, Yuan Dynasty DaDa City Wall Park, YongHeGong Lama Temple and ZhongGuanCun, XiDan, CBD, ChongWenMen New World Center ice rink

No English subtitles, but easy to follow. Directed by Gao XiXi and starring Liu YiFei and Rain. A beautiful romantic film (15+) ...

The annual Water Splashing Festival is an important festival of the Dai ethnic minority in YunNan province (and nearby countries) during the New Year celebrations of the Dai Calendar; the finale of three days. In Buddhism, the water splash is a symbolic washing of the past for a new beginning and is the offering of blessing and respect, as well as joy. Love this music ...

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Sina is a very talented drummer, aged 14 / 15 in these films. Don't miss this ! The Surfaris - Wipe Out ... Pink Floyd - Time (featuring Sticky Hickey) - just awesome ... Metallica - Nothing Else Matters - featuring the very talented young singer Jadyn Rylee (a beautiful love song) ... The Who - Won't Get Fooled Again ('meet the new war; same as the old wars' - great song) ... Van Halen - Jump ... ELO - Mr Blue Sky ... Led Zeppelin - Rock and Roll (featuring Alyona Yarushina and Andrei Cerbu) ... Dire Straits - Sultans of Swing ...